top of page

‘SOME OF US THINK HOLDING ON MAKES US STRONG; BUT SOMETIMES IT IS LETTING GO.’

HERMANN HESSE

Epilogues-title.png

When all has been said, do we hold on, or accept the end. 

Sometimes it’s out of our control, sometimes it’s about who we are inside, and other times, it’s not about ending at all but finding a whole other way of being… and beginning again.

 
EPILOGUES is an evening of two halves, featuring three captivating duets.
 
 
 
CONCEIVED BY JAMES COUSINS & FRANCESCA MOSELEY
​
CHOREOGRAPHY: JAMES COUSINS
​
CREATED AND PERFORMED BY: 
JEMIMA BROWN, RHYS DENNIS, GEORGE FRAMPTON, GEORGES HANN & CHIHIRO KAWASAKI
​
LIGHTING DESIGN: JACKIE SHEMESH
COMPOSERS: TORBEN LARS SYLVEST & MATT DAVIES
COSTUME DESIGN: GIULIA SCRIMERI
DRAMATURGY: LOU COPE
WRITER: SABRINA MAHFOUZ
​
REHEARSAL DIRECTORS: JULIE ANN MINAAI & CESILIE KVERNELAND
​
PRODUCED BY
FRANCESCA MOSELEY
 
​
EPILOGUES FEATURES WITHIN HER EYES
LIGHTING DESIGN: LEE CURRAN
COMPOSER: SEYMOUR MILTON
COSTUME DESIGN: COLIN FALCONER
ORIGINALLY CREATED IN COLLABORATION WITH AND PERFORMED BY: 
AARON VICKERS & LISA WELHAM
​
SUPPORTED BY ARTS COUNCIL ENGLAND. CO-COMMISSIONED BY THE PLACE, DANCEEAST, NEWBURY CORN EXCHANGE AND NOTTINGHAM LAKESIDE.
FURTHER SUPPORTED BY STUDIO WAYNE McGREGOR THROUGH THE FREESPACE PROGRAMME. WITHIN HER EYES WAS ORIGINALLY PRODUCED BY RE:BOURNE FOR THE NEW ADVENTURES CHOREOGRAPHER AWARD.
​
WORLD PREMIERE: 8 FEBRUARY 2019 AT THE JERWOOD DANCEHOUSE, IPSWICH, UK.
​
​
​
 

"A MEDITATION ON THE UNKNOWABILITY OF ANOTHER'S FEELINGS"

THE OBSERVER

James_Cousins_EPILOGUES_7445.jpg
James_Cousins_EPILOGUES_7831.jpg
James_Cousins_EPILOGUES_6694_edited.jpg

"TO PROVOKE SUCH DEEP REFLECTIONS ON HUMAN INTERACTION AND ARTICULATE IT SO STRONGLY THROUGH THE BODY IN MOTION IS WHY JAMES COUSINS ASTONISHES."

DANCE TABS

DANCERS

"COUSINS... IS AN ARTIST WHO SHARES PITE'S ABILITY TO MAKE CONTEMPORARY DANCE THAT TELLS STORIES THAT MATTER, AND COMBINE EMOTIONAL PROFUNDITY WITH FORMAL AND TECHNICAL CREATIVITY."

THE OBSERVER

PRODUCTION GALLERY

Images by Camilla Greenwell

bottom of page